Tuesday, 22 May 2012

NO-BROW WRAPPING PAPER







With a passion for designing unique wrapping paper, No-brow's highly artistic illustrated wrapping paper designs are a great inspiration to me. I love their individuality, and detail, something that often lacks in mass produced "shop" wrapping paper. 


ABOUT NO-BROW

Nobrow started in the winter of 2008 with the aim to provide an independent platform for graphic art, Illustration and art comics in the UK and abroad, to become a leading proponent of quality in book design and a standard bearer for original creative content in print publishing.
Given that the company started both in the midst of the financial crisis (Nov 2008) and in the supposed ‘dying days of print’, our books had to be somehow different. It wouldn’t be enough to champion new artists and content alone, the books themselves had to stand out, to ‘deserve to be printed’.
Over the course of the last few years we have striven to consistently publish books of the highest calibre and quality, both for their form and their content, working with only the best artists and illustrators in the world, whether fresh from art school or from the ranks of well-seasoned veterans. We publish books with their inherent qualities as objects in mind, to that end we do everything in our power to ensure that they look good, smell good and most of all tell great stories!
Part of the way we achieve this is by using only the best materials and printing methods in the design and manufacturing of our books. In fact, our printing methods make our library quite distinctive visually. We use a process called spot-colour printing, whereby pure Pantone colours are combined in separations to create some of the most vibrant and lucid artwork you will ever see in print.
Our Nobrow Press books are printed in runs of anywhere from 1,500 to 6,000 copies and are distributed to the four corners of the Globe. Recently, we launched Nobrow France, where we publish French editions of our most popular books. Hilda et le Géant de la Nuit, our first French language title, has already received widespread approval in the press and even made an appearance on French national television (Arte) at the Festival International de la Bande Dessinée d’ Angoulême. Being at the heart a European company with staff members who are from Greece, Switzerland, England, and France we are multilingual and keen to represent the best in the graphic arts, not only in our home territory, but as far and wide as our capabilities can take us.
We also hand print some books, this falls under the rubric of Nobrow Small Press. The Small Press is our screen printing arm, where we produce books in editions of under 100 copies. In our print studio downstairs, we also work hard to publish art print editions, which we do with only the very best graphic artists in the world, including amongst many others: Jan Van Der Veken, Jon Boam, Ben Newman, Patrick Hruby, Golden Cosmos, Stuart Kolakovic, Gwenola Carrere and Eda Akaltun. All of the prints are numbered and signed/certified by the artists before being released for sale to ensure they are only of the highest production standards.
If you would like any more information about Nobrow, or what we do, please get in touch at info[at]nobrow[dot]net and we will do our best to get back to you in good time.
In the mean time, jump in, enjoy what the Nobrow catalogue has to offer and most importantly, start your collection!


THE WEEK MAGAZINE













These fantastic caricature illustrations provided for the Week Magazine, by Howard McWilliam, are a massive inspiration! They portray the personalities of these famous politicans/celebrities perfectly, and he also highlights the latest headlines cleverly with the use of humour. 
Using a recent current affair/headline, I want to also create a caricature/cartoon style piece for the weekly magazine, taking on the funny aspect of illustration that McWilliam uses in his pieces.



In late 2005 I left my day job as a financial journalist and editor to pursue my true love of illustration full time. But I still consider an essential element of my work to be editorial – digesting an article, no matter how dry and technical, and coming up with the visual metaphor that will bring it to life.
I now illustrate regularly for a wide range of UK and international magazines and newspapers, including The Daily Telegraph and The Week magazine (both the UK editionand the US edition).
I am delighted to have illustrated my first two children’s picture books, I Need My Monster by Amanda Noll (March 2009) and When a Dragon Moves In by Jodi Moore (April 2011), both Flashlight Press.
I have also illustrated the Ghost Detectors series (Adbo Publishing, August 2009); a selection of retold classics for children (also Adbo Publishing, September/December 2010); the cover illustrations for a series of four Kit Salter adventures (Quercus Books, March 2009); and the cover illustrations for the Alfie the Werewolf series (Hodder Children’s Books, April 2010).
I am represented in the US by my agent in North America, Jean Blasco of Blasco Creative.


Monday, 2 April 2012

CHRISTOPHER LEE







  • Christopher Lee is a vector illustrator who lives and works in South California. His clients include:

  • Absolut
  • Adobe
  • Coke Canada
  • Computer Arts Projects
  • Cuties Clementine Oranges
  • Disney Consumer Products
  • Hasbro
  • Honda ATV
  • Honda Canada
  • Hyphen Magazine
  • Jess3
  • Lucas Licensing
  • Nike ACG
  • Oregon Coast Aquarium
  • Target
  • Upper Playground
  • Virgin Group

I find his work really inspirational as not only do they look really modern and beautiful, but they are clever and funny. I love the skill and attention to detail in his work, there are no boundaries for him, he just goes for it. I would like to experiment more with my own illustrations and not be scared to try new techniques and styles.


DIGITAL ARTS MAGAZINE







Above are illustrations created for the Digital Arts Magazine, a magazine that focuses on designing through computer software. I have a lot of experience in creating vector illustrations on Adobe Illustrator, so thought that this would be a great opportunity to create a design that can be used for a magazine cover, a great asset to my portfolio, as it shows I can create illustrations and put them into context.
As you can see they love bright and eye-catching illustrations, lots of detail and designs that have a clean cut and professional finish.

NEW YORKER MAGAZINE - Political Designs






Above features the 'best selling' political illustrations produced for the New Yorker Magazine. As well as focusing on the iconic and visual aspects of New York City I would also like to produce another cover design that looks at the politics of New York as well as current affairs. I think that this could be really exciting for my portfolio as I have never produced a political illustration before.

NEW YORKER MAGAZINE - Visual Designs





Above are some existing designs that have been used for the New Yorker magazine. I have chosen to look at mostly digital based illustrations as I would like to concentrate on this way of working for my magazine cover designs, in order to show off my skills in digital art and graphic design.
As you can see the images above all evolve around the visual and iconic aspects of New York. This is something I want to focus on for my own design, however I would like to merge lots of these into one design as opposed to focusing on just one thing. I think that this would offer something unique and different.